Schumacher [2021]★★★

To miss a documentary about 7 time Formula One world champion Michael Schumacher would be the equivalent of skipping a Martin Scorsese film. It might not be as compelling as 2011’s “Senna”, but it’s still a phenomenal look at Schumi’s career, from his time with Benetton in the early 90’s, to his unforgettable years at Ferrari. As someone who grew up in the 90’s, I remember very well his rivalry with the likes of Jacques Villeneuve and Mika Hakkinen. But even the most avid McLaren fan at the time knew that Schumacher was special. And this documentary is a testament to that. Fans might be looking for more updates about his current medical condition, but the movie doesn’t really focus much on that. Instead, it shows us what truly made him tick. If you’re a fan of Schumacher or just curious about Formula One in general, you can’t possibly miss this documentary. It’s a rollercoaster ride from start to finish.

Black Widow [2021] ★★★

After countless delays, Marvel’s highly anticipated “Black Widow” finally hits cinemas this week. Was it worth the wait? I’d say yes, even if it doesn’t reinvent the wheel. As far as standalone movies go, “Black Widow” delivers blockbuster entertainment, the kind we’ve missed seeing on the big screen. It helps to have Scarlett Johansson on top of her game. It also helps to have an incredible array of colorful supporting characters, including Florence Pugh as Yelena, and David Harbour as the Red Guardian. As you might have guessed, the story takes place way before the events of the last two Avengers movies. Natasha Romanoff has to confront her past and reunite with her “family” in order to destroy “The Red Room”, a Soviet program designed to train and control women into becoming assassins. It’s straightforward stuff, for sure, but director Cate Shortland delivers the goods by staging plenty of exciting action sequences that will most definitely satisfy fans of the franchise. In true blockbuster fashion, “Black Widow” globe trots from one location to the next, throwing everything on the screen as we move along. It can be too much at times, but overall, I think the film delivers on its promise. It might not move the franchise in completely unexpected ways, but it’s rock solid summer entertainment, and sometimes that’s good enough.

Cruella [2021] ★★★

I didn’t think I’d care for an origin story about Cruella, one of Disney’s most infamous villains. But she’s the protagonist of her own story here, and it’s easy to root for her right from the start, thanks to a colorful and committed performance by Emma Stone. The movie itself is well-made and visually stunning, making it a must for Disney fans. Stone steals the show as Estella, an orphaned kid with dreams of her own. Set in 1970’s London, we follow her story as she tries to make her way in the fashion industry, locking horns along the way with fashion legend Baroness von Hellman, perfectly played by Emma Thompson. The film is a perfect blend of comedy and drama, and both actresses make the best of it. But it’s hard to talk about the movie’s success without mentioning the beautiful production design, fabulous costumes, and the eye popping visuals. Of course, this is the story of how Estella came to be Cruella (call it “Cruella Begins” if you will), but it wouldn’t mean a damn if we weren’t given a reason to care for all these characters. Safe to say, the people behind this movie gave us that and more, in a movie that runs for over two hours but never feels long. If you’re curious about the origins of Cruella, or if you’re simply a Disney fan, I think you’ll find plenty to enjoy here. This is a pleasant surprise, to say the least.

The White Tiger [2021] ★★★

I absolutely love it when a movie comes out of nowhere and turns out to be a pleasant surprise. “The White Tiger” is based off a New York Times bestseller which I’m not familiar with (but now that I’ve seen the movie, I’m curious to check it out). Of the film itself, I can tell you that Adarsh Gourav’s strong and soulful performance cuts deep. He plays an ambitious Indian driver who decides to leave his poor entourage in order to work for a rich family. What happens next is nothing short of spectacular. No spoilers about how things turn out, but Ramin Bahrani’s constantly compelling, Oscar-nominated screenplay, is a thing of beauty and terror. His film is one from the heart, and it’s difficult not to root for our main character from the word go. “The White Tiger” has been streaming on Netflix for a few months now and I urge you to seek it out. It’s one of the year’s finest dramas so far.

Love And Monsters [2020] ★★★

You’d think with so many post-apocalyptic movies out there (and the fact that we live in one), there wouldn’t be any room left for something original. Ok, “Love and Monsters” isn’t entirely original (it feels like a cross between “Zombieland” and “War of the Worlds”), but it’s fast-paced and thoroughly entertaining, thanks to a committed (and, might I add, very likable) performance by Dylan O’Brien. Here’s the plot: we live in a monster-infested world now, and it’s been seven years since Joel (O’Brien) has seen his girlfriend (Jessica Henwick). They got separated when the monster apocalypse happened, and he’s about to go on a perilous journey to find her. Sounds straightforward enough. But here’s the thing: it’s hard not to root for our boy Joel, and that’s where the movie scores points. Kudos to director Michael Matthews for staging some truly exciting monster-killing sequences (seriously, this shit is good). I never thought I’d care for yet another post-apocalyptic movie, but “Love and Monsters” truly kept me on the edge of my seat from start to finish. It’s a pleasant surprise.

Godzilla Vs. Kong [2021] ★★★

To say that I should have experienced “Godzilla Vs. Kong” on the biggest screen possible would truly be the understatement of the year. Instead, I had to look it up online and watch it on my HD TV. Fair enough. But get this: this long awaited monster showdown delivers everything you would expect from it: dumb dialogue and some spectacular action sequences, worthy of its two stars: Godzilla and Kong. You don’t need to worry about the story itself. All you need to know is that the two monsters will eventually clash, with humanity caught in the middle. It’s an epic showdown, fueled with eye-popping visual effects and pulse pounding fight sequences (trust me, it keeps getting better and better). You won’t find quotable dialogue here or a phenomenal storyline. You will, however, find yourself rooting for a monster of your choice, as they battle each other into oblivion. If this sounds like your cup of tea, then you’ll have a mighty good time here. I know I did.

Run [2021] ★★★

After her deliciously creepy performance in the Netflix series “Ratched”, Sara Paulson delivers the goods yet again in the new thriller “Run”, from “Searching” writers Aneesh Chaganty and Sev Ohanian. The duo have done it again by delivering a suspenseful 90 minute rollercoaster that doesn’t pull its punches. The plot focuses on Chloe, a home schooled teenager who is confined to a wheelchair. We learn right from the start that she was born with multiple illnesses, and her mother (Paulson) takes care of her. I cannot go on without entering spoiler territory. I’ll just say that Chloe is about to discover a dark secret that will set the tone for the rest of the movie. It’s one hell of a ride, and director Aneesh Chaganty knows exactly how to manipulate his audience using familiar techniques. His debut feature “Searching” won me over instantly. “Run” may not be as clever, but it’s certainly well-directed and suspenseful from start to finish. Best of all, you can stream it right away on Netflix. It’s worth your time and patience.

Promising Young Woman [2020] ★★★

“Promising Young Woman” offers a juicy role for the talented Carey Mulligan, but the movie itself is well-made and constantly engaging, making it one of the true highlights of 2020. Mulligan plays a young woman who is leading a double life: she works in a coffee shop during the day and extracts revenge on sexual predators by night. Slowly but surely we come to find out why she’s doing all this, but I will not reveal more. Writer-director Emerald Fennell has crafted a film that couldn’t be more relevant in today’s society. But the movie wouldn’t work as much as it does if it weren’t for Mulligan’s committed performance. Moviegoers who usually associate her with completely different type of movies may be pleasantly surprised at her skillful handling of this unusually tough material. And to say that the film messes with your head on multiple occasions would truly be an understatement. But this is why we still go to the movies (or stream in this case). “Promising Young Woman” is a breath of fresh air, and , might I add, completely credible. I cannot recommend it enough.

Pieces Of A Woman [2020] ★★★

“Pieces of a Woman” is a movie that is difficult to review, and, at times, difficult to watch. But if anyone will remember it, it would be for its long opening sequence of a woman giving birth. It’s an incredible scene, fiercely acted by Vanessa Kirby, who truly gives a sensational performance here. As you might have guessed, the scene ends with the death of the newborn, which sets the tone for the rest of this drama. And so begins “Pieces of a Woman”, a film about grief that doesn’t always hit all the right notes, but still manages to hit you where it hurts the most. I could swear that there were times where I would simply look away, only to be sucked in once again by Kirby’s terrific acting. Kirby is also surrounded by a first rate cast that includes Shia LaBeaouf, Ellen Burstyn and Molly Parker. Hungarian director Kornél Mundruczó builds his film slowly and deliberately, before offering a catharsis that ultimately makes the often harrowing drama worthwhile.

Nomadland [2020] ★★★

We didn’t need more proof of her talent, but Francis McDormand delivers yet another fierce performance in “Nomadland”, playing a working class woman who embarks on a journey across America in the wake of the great recession of 2008. Like a true nomad, she lives in a van, meets new people, looks for brief opportunities, before moving on to the next town. It’s a poetic journey, fueled by great cinematography and a superior performance by McDormand. Writer-director Chloe Zhao takes a low-key approach to her material, which deepens the film’s intimate power. And it’s only after the credits start rolling that you realize how emotional the whole journey was. Will it be everyone’s cup of tea? Probably not. If you’re expecting twists and turns, you won’t find any here. But just in case you’re seeking a spiritual ride, “Nomadland” more than fits the bill. It’s a film unlike anything I’ve seen in recent memory.