The Last Letter From Your Lover [2021] ★★

I like a good old-fashioned love story as much as the next person, but Netflix’s “The Last Letter From Your Lover” misses the mark on multiple occasions, despite a good cast. Felicity Jones is wasted as an ambitious journalist who discovers a pile of love letters from 1965, which leads her to investigate the mystery at the center of this forbidden love. The movie borrows a lot from such classic love stories as “Brief Encounter” and “An Affair To Remember”, especially when we go back in time to learn more about these characters. Shailene Woodley is good as the married woman who falls for another man. And the film is well-shot, but there’s never a sense that we’re watching something special, or at least memorable. If you’re curious about it, it’s still an entirely watchable film. But just know that you may or may not remember it the next day.

Cruella [2021] ★★★

I didn’t think I’d care for an origin story about Cruella, one of Disney’s most infamous villains. But she’s the protagonist of her own story here, and it’s easy to root for her right from the start, thanks to a colorful and committed performance by Emma Stone. The movie itself is well-made and visually stunning, making it a must for Disney fans. Stone steals the show as Estella, an orphaned kid with dreams of her own. Set in 1970’s London, we follow her story as she tries to make her way in the fashion industry, locking horns along the way with fashion legend Baroness von Hellman, perfectly played by Emma Thompson. The film is a perfect blend of comedy and drama, and both actresses make the best of it. But it’s hard to talk about the movie’s success without mentioning the beautiful production design, fabulous costumes, and the eye popping visuals. Of course, this is the story of how Estella came to be Cruella (call it “Cruella Begins” if you will), but it wouldn’t mean a damn if we weren’t given a reason to care for all these characters. Safe to say, the people behind this movie gave us that and more, in a movie that runs for over two hours but never feels long. If you’re curious about the origins of Cruella, or if you’re simply a Disney fan, I think you’ll find plenty to enjoy here. This is a pleasant surprise, to say the least.

Stowaway [2021] ★★

This slow, often intriguing space drama from writer/director Joe Penna could have and should have been more tense. After a terribly dull opening sequence, “Stowaway” tries to convince you that you’re in for something special. No luck. Toni Collette leads a solid cast that features Anna Kendrick and Daniel Dae Kim. They’re all a part of a three-way crew on a mission to Mars (don’t bother with the details). The plot truly kicks in when an unplanned passenger (Shamier Anderson) shows up, threatening the safety of everyone on board. At first, you might think that this could turn into an old-fashioned space thriller. But the movie loses its momentum only halfway through and never truly recovers. The rest is tedious, to say the least. I don’t know what I was personally expecting from this movie, but all I know that it was a letdown. Considering the people behind it and the grade-A cast, you’d expect something better. Too bad.

Minari [2020] ★★★½

This Oscar-nominated family saga is beautifully made, and features genuine performances by Steven Yeun and Yeri Han. The plot is simple enough: a Korean family relocates to a farm in 1980’s Arkansas. The wife is sceptical, but her husband is convinced that this could be the start of their American dream. And for two hours, we are witnesses to the ups and downs of their everyday life. The story moves at a deliberately slow pace, but the arc itself is incredibly overwhelming, which only sinks in when the credits start rolling and you realize that life is constantly evolving and so much can change in so little time. The performances are top-notch, and the beautiful score by Emile Mosseri is a worthy companion to this unforgettable family drama. Kudos to writer/director Lee Isaac Chung, who wrote a truly poignant story that sneaks up and quietly breaks your heart. It’s easily one of my favorite movies of 2020 and a worthy Oscar contender.

The White Tiger [2021] ★★★

I absolutely love it when a movie comes out of nowhere and turns out to be a pleasant surprise. “The White Tiger” is based off a New York Times bestseller which I’m not familiar with (but now that I’ve seen the movie, I’m curious to check it out). Of the film itself, I can tell you that Adarsh Gourav’s strong and soulful performance cuts deep. He plays an ambitious Indian driver who decides to leave his poor entourage in order to work for a rich family. What happens next is nothing short of spectacular. No spoilers about how things turn out, but Ramin Bahrani’s constantly compelling, Oscar-nominated screenplay, is a thing of beauty and terror. His film is one from the heart, and it’s difficult not to root for our main character from the word go. “The White Tiger” has been streaming on Netflix for a few months now and I urge you to seek it out. It’s one of the year’s finest dramas so far.

The Father [2020] ★★★½

Led by a phenomenal performance by Anthony Hopkins, “The Father” is a worthy Oscar contender and one of the finest films of the 2020. I cannot remember the last time a movie held me spellbound from start to finish, but then again, not many movies feature great performances all around. We didn’t need more proof of his talent, but Hopkins soars to greatness here, playing an 80 year-old father who suffers from dementia. His daughter (wonderfully played by Olivia Coleman) is trying to take care of him, but he keeps refusing any form of assistance. It’s a harrowing portrait of aging, and Hopkins’ brilliant acting allows us to vicariously experience what his character is going through, every step of the way. It can be too much at times, I have to admit, but the purpose of the film is to emotionally drain us, and to say that it succeeds with flying colors would truly be an understatement. In terms of writing, acting and directing, “The Father” is a terrific movie. My advice is to sit back and let it engulf you. You won’t soon forget it.

Madame Claude [2021] ★½

From the trailer and poster, you’d think this fact-based story about Madame Claude, the woman who created a business empire dedicated to prostitution in 1960’s Paris would be at least intriguing to check out. Alas, the final result is an incoherent mess that doesn’t have any of the good qualities of a biography. The problem here is that we’re not given a chance to root for any of the characters we meet. Instead, the movie jumps from one unrelated scene to the next like a music video, and not a very good one either. Maybe there’s a good story buried somewhere in there, but I can’t find it. If you’re interested to know more about Madame Claude and her girls, I can guarantee you that this movie will offer you nothing. It’s dull, disjointed, and a giant mess. Skip it.

Malcom & Marie [2021] ★★½

“Malcom & Marie” is all about good performances, and both Zendaya and John David Washington deliver. But I wish I could say the same about the movie itself. It’s certainly  well-shot and features a pair of powerhouse performances. But halfway through, I found myself drifting away from it, and the movie never managed to pull me in again. I was completely captivated at first, as we meet a filmmaker (Washington) and his girlfriend (Zendaya) who return home following his long-awaited movie premiere. What seems like a celebratory night at first quickly turns into a tense affair. Over the next few hours, old wounds are reopened and secrets are revealed, as we learn more and more about their personal issues. Writer-director Sam Levinson grabs us from the word go, thanks to a tightly written dialogue. But I can tell you that after a while, I grew tired of it. To whatever degree the movie succeeds, it is largely because of these two. I just wish they trimmed it a bit. Or better yet: “Malcom & Marie” would have worked more as a short movie.

The Dig [2021] ★★½

Sometimes, a movie is easy to watch because of its star power. Ralph Fiennes and Carey Mulligan are both a treat to watch in Netflix’s latest period piece “The Dig”, and they’re reason enough to stream it. Of the story, I can only say that it was quite intriguing to witness, despite an uneven narrative. Fiennes plays an experienced archaeologist who is hired by Mulligan to dig up an old burial ground on her estate. The year is 1939 and what they’re about to discover is something completely unexpected. If you like movies based on true events, “The Dig” more than fits the bill. It has beautiful sceneries and just the right amount of drama to go along with it. The final result is a film that is captivating at times, even if it doesn’t always hit the right notes. But perhaps the best thing I can say about it is that it’s sincere. That, and a pair of delightful performances, make it worth streaming.

Promising Young Woman [2020] ★★★

“Promising Young Woman” offers a juicy role for the talented Carey Mulligan, but the movie itself is well-made and constantly engaging, making it one of the true highlights of 2020. Mulligan plays a young woman who is leading a double life: she works in a coffee shop during the day and extracts revenge on sexual predators by night. Slowly but surely we come to find out why she’s doing all this, but I will not reveal more. Writer-director Emerald Fennell has crafted a film that couldn’t be more relevant in today’s society. But the movie wouldn’t work as much as it does if it weren’t for Mulligan’s committed performance. Moviegoers who usually associate her with completely different type of movies may be pleasantly surprised at her skillful handling of this unusually tough material. And to say that the film messes with your head on multiple occasions would truly be an understatement. But this is why we still go to the movies (or stream in this case). “Promising Young Woman” is a breath of fresh air, and , might I add, completely credible. I cannot recommend it enough.